The Reflecting Man: Volume Four
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The Reflecting Man historical fiction series continues with Volume Four.
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- D.K.R. Boyd
More About This Title The Reflecting Man: Volume Four
- English
English
England is in turmoil as ‘Appeasers’ square off against ‘Non-Appeasers’ or, as our loquacious and unreliable narrator, Kurtis De’ath, in his role as Lord Beaverbrook’s gossip-hound, Kurtis Tod, discovers…it is Sir Joseph Ball versus Winston Churchill. Fascism is in fashion in numerous high-stepping London social circles and also across the water in France, where the Duke of Windsor and Wallis are courted by the Nazis. Erl Echland continues to collect their secrets, but even he is gobsmacked by the Duke’s secret letters which wind up in Kurtis’ hands. It is ‘Herr Death,’ Kurtis’ German incognito, who learns of the formation of Einsatzgruppen and new plots against Adolf Hitler involving the Kordt brothers. Not to be excluded in this raucous time are William Joyce and his mentor, Macnab; as well as Maxwell Knight of MI5’s B5b bureau and his menagerie; and Robert Vansittart, England’s spy extraordinaire. As 1938 wears on, the possibility of war increases steadily and Chamberlain and Ball conceive Plan Z, an attempt to beard the lion in his mountain lair at Berchtesgaden. Ulrich Roller and the Wagners continue to enjoy Uncle Wolf’s patronage as Kurtis’ nemesis, the widow of Dr. Wentz, appears seeking vengeance. It is Kristallnacht which shocks the world in November and brings Europe ever closer to total war.
- English
English
D.K.R. Boyd (aka, David Boyd and David Collins) is an award-winning Canadian author residing in St. Stephen, New Brunswick, who has published more than 25 books for children, young adults, and adults. Educated and raised in St. Stephen, he attended Mount Allison University in Sackville, N.B. He was awarded a Prime Minister of Canada’s Excellence in Teaching Award in 1998 for the development of creative writing e-courses. From 1996-1999, he was the chairman of the board of The READ-IN!™, the world’s largest online telecommunications project for children at that time, involving dozens of international children’s authors connecting via live texting with students in schools around the globe.
In 1996, the second book in his critically-acclaimed trilogy for YA readers, Bottom Drawer, was nominated for the Governor General’s Award for Children’s Text. His YA trilogy (Looking For A Hero, Bottom Drawer, Closer To Hamlet) was recently re-published for iPad and Kindle e-books. David was also a regular contributor to The Master Teacher, and to Apple Computer Inc.’s educational resource sites. In 2002, he led a U.S.-Canadian IT team to Singapore for a ministry-sponsored conference to teach educators how to bring digital technologies into their classrooms. As a playwright, Boyd adapted Shakespeare's Macbeth to create "Macbeth: A Multimedia Event" (1995) and Julius Caesar to create "Caesar: A Multimedia Event" (2005) staging both events in Mississauga, Ont.’s Hammerson Hall.
David’s four volume Adventures of Wordsy & Jess series (The Face in the Flames, Spellbound!, The Danger Beneath and Earthwatch), for middle schoolers has been reprinted several times, and his six volume The Adventures of Milo the Wonderdog historical-humour-mysteries (Leonardo's Wings, Little Sure Shot, Khan of Khans, Suleyman's Library, Good Queen Bess, and Heart Of A Lion) were recently re-published as e-books for iPad and Kindle.
With Kathy Douglas, a Massachusetts educator and artist, the first book in a new series of sports poetry for children and adults, My Mom Always Yells Too Loud in the Arena and Other Poems about Hockey is now available exclusively for iPad readers. Writing as “David Collins,” his dystopian thriller for adults, The Grief Team, is available as a Kindle book on Amazon.
After retiring from Appleby College in 2007, David returned to St. Stephen to write a major work of historical fiction for adults. In July 2013, Volume One of his five volume historical fiction series about how World War Two actually began was published in e-book and trade paperback formats. The Reflecting Man is widely and deeply researched, employing hundreds of non-fiction accounts, journals, and diaries of actual participants and observers of the darkening clouds over Europe and the descent into war. With the publication of the final volume, Five, on April 15, 2024, the series is complete.
In 1996, the second book in his critically-acclaimed trilogy for YA readers, Bottom Drawer, was nominated for the Governor General’s Award for Children’s Text. His YA trilogy (Looking For A Hero, Bottom Drawer, Closer To Hamlet) was recently re-published for iPad and Kindle e-books. David was also a regular contributor to The Master Teacher, and to Apple Computer Inc.’s educational resource sites. In 2002, he led a U.S.-Canadian IT team to Singapore for a ministry-sponsored conference to teach educators how to bring digital technologies into their classrooms. As a playwright, Boyd adapted Shakespeare's Macbeth to create "Macbeth: A Multimedia Event" (1995) and Julius Caesar to create "Caesar: A Multimedia Event" (2005) staging both events in Mississauga, Ont.’s Hammerson Hall.
David’s four volume Adventures of Wordsy & Jess series (The Face in the Flames, Spellbound!, The Danger Beneath and Earthwatch), for middle schoolers has been reprinted several times, and his six volume The Adventures of Milo the Wonderdog historical-humour-mysteries (Leonardo's Wings, Little Sure Shot, Khan of Khans, Suleyman's Library, Good Queen Bess, and Heart Of A Lion) were recently re-published as e-books for iPad and Kindle.
With Kathy Douglas, a Massachusetts educator and artist, the first book in a new series of sports poetry for children and adults, My Mom Always Yells Too Loud in the Arena and Other Poems about Hockey is now available exclusively for iPad readers. Writing as “David Collins,” his dystopian thriller for adults, The Grief Team, is available as a Kindle book on Amazon.
After retiring from Appleby College in 2007, David returned to St. Stephen to write a major work of historical fiction for adults. In July 2013, Volume One of his five volume historical fiction series about how World War Two actually began was published in e-book and trade paperback formats. The Reflecting Man is widely and deeply researched, employing hundreds of non-fiction accounts, journals, and diaries of actual participants and observers of the darkening clouds over Europe and the descent into war. With the publication of the final volume, Five, on April 15, 2024, the series is complete.
- English
English
“The Reflecting Man is a novel that came out of nowhere to take over my reading. First and foremost it is a first person, voice novel and a lot of the appeal comes from Kurtis De'ath's commonsense approach to the craziness that starts taking over the world after the crash of 1929, culminating of course in the "abnormal" as normal that life in the Third Reich soon becomes.
Here is Kurtis ruminating on how the "superman/subhuman" ideas so much popularized from Nietzsche on and leading to the forced euthanasia and sterilization policies of the 3rd Reich from 1934 on are total bunk, while remembering his first "boss", a low IQ but otherwise perceptive and cheerful cousin of the rich Gagnon's who foster Kurtis from age 12 on.
"Seems to me, however, that folks like Cinnamon Jim fit right in neatly if you can find that misshaped hole for the misshaped peg like Arthur did for him in our store. Sure, he ruined about four hundred dollars worth of toffee with his handprints but, if you try hard enough to help someone, you can eventually find a solution.The thing is, you have to want to try, right? Doesn't sound like Herr Nietzsche feels it’s worth the effort in the first place, so more fool him. I'm a Maritimer; we use common sense as our guide because logic often involves too many details and generally screws things up."
Following the usual memoir structure after the first introductory page that hooked me on the book both by its style and by the implied promises, The Reflecting Man presents Kurtis' life from his parents' deaths in 1922 when at age 12 he gets to live within Canadian chocolate maker Arthur Gagnon's household and become foster brother to his 12 year old son Whitten.
"I have confessed my predilection for striking first when I was challenged, mocked, derided, baited, teased, slighted, hairy-eyeballed…the list of offenses was, to be sure, much less nuanced in my twelve-year-old understanding than I am presenting here. My boy’s brain reacted on impulse without much, if any, discretion. Terry Corby received the boot for calling me “Kurtis-s-s-s-s-s,” like a snake might say it. Dwayne and Blayne Kinson were each well and truly hoofed in their dangling participles, although I had to chase Blayne half a mile before I got him. If I recall correctly, they were three years older than I was and made cracks about Death being a half-pint. I stuck a fist into Daryl Horne's nose for declaring that I was the thief who ate his sardine sandwich during school lunch break. It couldn’t have been me because I despised (and still do) the smell and taste of sardines. I’d rather eat a dead cat. Besides, once I’d discovered that it was a sardine sandwich I chucked it in the bushes."
The novel also offers ample detours in the past of the Gagnon family and later in the history of Canada, both in its Anglophone and Francophone versions - born a catholic, Kurtis is raised as a Baptist by the Gagnons, though later he becomes best friends with a French Canadian young Jesuit and gets to teach German at the Jesuit college of Montreal who at the time was "the" place for educating the Francophone elite of Canada - and while at times the book meanders a little, overall I quite enjoyed these side-stories and found out a lot of details about Canadian history.
However, not everything told to us is to be taken at face value - as he warns us from the first page - and by the device of him reading surreptitiously diaries of his friends - we get to see different facets of Kurtis that seem to justify the strong impression he makes on various powerful and not so powerful people on first sight...
Of course the main promise of the book is Kurtis' association with Adolf Hitler and when we get there and more generally to Kurtis' arrival in Germany in June 1933 and his sort of co-optation in the new Chancellor's inner circle - seen as a mascot by some, as a charlatan by others, but ultimately all tying in with Hitler's "mystical" beliefs in destiny - the novel truly takes flight and becomes impossible to put down.
I will end presenting the first page which should give you a clear idea of both style and ambition:
"'My name is De’ath.
You can say it all in one breath…Deeth, as they do in Essex in England. Or you can double the syllable and have…Dee-ath, which is how we say it in the Maritimes in Canada. Accent on the ‘ath, please. Invariably I am asked to spell it aloud. Most don’t note the apostrophe if they’re writing it down or pretend to omit it, especially when it gives them a chance to be clever at my expense. Almost no one can avoid remarking upon it.
I thought Death himself had come for me! Isn’t that something? Death himself standing right here in front of me. If that don’t beat all…etc. etc.
I find no humor in it. From snotty bureaucrats—the ilk infesting Whitehall in war-poor, crapped-out London instantly come to mind—to the ashes of the sadists in the recently extinguished Reich chancellery in Berlin, there has been an overwhelming fascination in meeting Death…and joking about it.
Meeting De’ath is not quite the same thing.
Almost, but not quite.
Death, as I learned, is as easy as falling down a well. You make a little splash and that’s the end of it. Death in war is conducted under different rules. It is my task to explain why this is so and how and why I found myself so tangled up in the one which just ended.
Yes, I am the notorious Herr Death, mysterious confidant of the Führer.
Yes, I am the famous Schokoladenmann, chocolate maker to the Wagners.
Yes, I am Kurtis De’ath, a young man from the Maritimes, and your unreliable, opinionated narrator, leading you through the labyrinth of what Lord Beaverbrook now refers to as World War Two..."
With an ending at a reasonable "to be continued" point, but strongly wishing for more despite its 700+ page bulk, The Reflecting Man vaulted to my top 10 books of the year and the announced sequel - sadly seems to be 2015 only - became a huge asap. Highly, highly recommended!”
“Kurtis De’ath, the narrator of Boyd’s sprawling debut historical novel, is a “reflecting man” figure in the sense that through his remarkable and convoluted life he finds himself encountering virtually all of the notable figures of the first half of the 20th century.
De’ath is an eloquent and outspoken narrator (and fond enough of his own exploits, a la George MacDonald Fraser’s Flashman), relating his adventures as a secret advisor to Adolf Hitler, a globe-trotting newspaper reporter (who breaks the news that England’s King Edward VIII is so deeply enamored of American divorcee Wallis Simpson that he might abdicate in order to marry her), and a somewhat reluctant MI5 agent for the British government.
De’ath is the reader’s narrative proxy as he watches the key events unfold in Hitler’s rise to power, and Boyd’s skill at weaving exposition into his narrative is so great that the large and complicated plot moves forward very smoothly. Watching 20th century history unfold through the unmistakable viewpoint of Kurtis De’ath would be a treat for any lover of well-done historical fiction. Promised sequels are eagerly anticipated.” - Historical Novel Society.
The second volume in D.K.R. Boyd’s sprawling “Reflecting Man” series follows the adventures of Boyd’s irrepressible main character and narrator, Kurtis De’ath, as he returns to England at the beginning of 1936 after an interval spent consorting with Adolf Hitler and the elite of Nazi leadership in Germany. In England, he becomes a gossip columnist for the Daily Express, which provides the perfect venue for his natural talents as a storyteller and gossip-monger.
“When I hear a ripping tale I do like to pass it along,” he says at one point, and the bulk of Reflecting Man consists of one ripping tale after another, including quite a few about the Royal Family in the years immediately prior to the outbreak of the Second World War. All the famous names are here, from Queen Mary to King George V to T.S. Eliot to Ernest Hemingway to the infamous Duke and Duchess of Windsor and their suspiciously close ties to Nazi Germany.
De’ath addresses his “dear Reader” directly and tells all these stories with chatty gusto (the whole while yearning for his native Canadian Maritimes, with its more civilized habits and superior food) that more than compensates for the book’s spattering of typos and somewhat nebulous actual plot. This is infectiously readable stuff. - Historical Novel Society
Dense and yet compelling, Boyd's prose and detail make for a read that is witty and paced just right as it weaves through modern history in a way that I have not seen since Dorothy Dunnett conquered the events of the late Middle Ages.” Amazon 4 Stars
Style is very different from the late and lamented Dorothy Dunnett, but the feel of being taken for an ultimate ride through events that fascinate and prove gripping even when known are the same.” Amazon
“The Reflecting Man vaulted to my Top Ten books of the year and the announced sequel[s] became a huge ASAP. Highly, highly recommended. Goodreads 5 Stars
“Boyd paints a convincing picture of Nazi depravity with his detailed descriptions of Germany under the Third Reich [with] a fascinating protagonist.” Publishers Weekly
“I’m enjoying it! A long book, but keeps you going through entertaining, believable and endearing personalities. I recommend it for a bedtime read.” Amazon
Here is Kurtis ruminating on how the "superman/subhuman" ideas so much popularized from Nietzsche on and leading to the forced euthanasia and sterilization policies of the 3rd Reich from 1934 on are total bunk, while remembering his first "boss", a low IQ but otherwise perceptive and cheerful cousin of the rich Gagnon's who foster Kurtis from age 12 on.
"Seems to me, however, that folks like Cinnamon Jim fit right in neatly if you can find that misshaped hole for the misshaped peg like Arthur did for him in our store. Sure, he ruined about four hundred dollars worth of toffee with his handprints but, if you try hard enough to help someone, you can eventually find a solution.The thing is, you have to want to try, right? Doesn't sound like Herr Nietzsche feels it’s worth the effort in the first place, so more fool him. I'm a Maritimer; we use common sense as our guide because logic often involves too many details and generally screws things up."
Following the usual memoir structure after the first introductory page that hooked me on the book both by its style and by the implied promises, The Reflecting Man presents Kurtis' life from his parents' deaths in 1922 when at age 12 he gets to live within Canadian chocolate maker Arthur Gagnon's household and become foster brother to his 12 year old son Whitten.
"I have confessed my predilection for striking first when I was challenged, mocked, derided, baited, teased, slighted, hairy-eyeballed…the list of offenses was, to be sure, much less nuanced in my twelve-year-old understanding than I am presenting here. My boy’s brain reacted on impulse without much, if any, discretion. Terry Corby received the boot for calling me “Kurtis-s-s-s-s-s,” like a snake might say it. Dwayne and Blayne Kinson were each well and truly hoofed in their dangling participles, although I had to chase Blayne half a mile before I got him. If I recall correctly, they were three years older than I was and made cracks about Death being a half-pint. I stuck a fist into Daryl Horne's nose for declaring that I was the thief who ate his sardine sandwich during school lunch break. It couldn’t have been me because I despised (and still do) the smell and taste of sardines. I’d rather eat a dead cat. Besides, once I’d discovered that it was a sardine sandwich I chucked it in the bushes."
The novel also offers ample detours in the past of the Gagnon family and later in the history of Canada, both in its Anglophone and Francophone versions - born a catholic, Kurtis is raised as a Baptist by the Gagnons, though later he becomes best friends with a French Canadian young Jesuit and gets to teach German at the Jesuit college of Montreal who at the time was "the" place for educating the Francophone elite of Canada - and while at times the book meanders a little, overall I quite enjoyed these side-stories and found out a lot of details about Canadian history.
However, not everything told to us is to be taken at face value - as he warns us from the first page - and by the device of him reading surreptitiously diaries of his friends - we get to see different facets of Kurtis that seem to justify the strong impression he makes on various powerful and not so powerful people on first sight...
Of course the main promise of the book is Kurtis' association with Adolf Hitler and when we get there and more generally to Kurtis' arrival in Germany in June 1933 and his sort of co-optation in the new Chancellor's inner circle - seen as a mascot by some, as a charlatan by others, but ultimately all tying in with Hitler's "mystical" beliefs in destiny - the novel truly takes flight and becomes impossible to put down.
I will end presenting the first page which should give you a clear idea of both style and ambition:
"'My name is De’ath.
You can say it all in one breath…Deeth, as they do in Essex in England. Or you can double the syllable and have…Dee-ath, which is how we say it in the Maritimes in Canada. Accent on the ‘ath, please. Invariably I am asked to spell it aloud. Most don’t note the apostrophe if they’re writing it down or pretend to omit it, especially when it gives them a chance to be clever at my expense. Almost no one can avoid remarking upon it.
I thought Death himself had come for me! Isn’t that something? Death himself standing right here in front of me. If that don’t beat all…etc. etc.
I find no humor in it. From snotty bureaucrats—the ilk infesting Whitehall in war-poor, crapped-out London instantly come to mind—to the ashes of the sadists in the recently extinguished Reich chancellery in Berlin, there has been an overwhelming fascination in meeting Death…and joking about it.
Meeting De’ath is not quite the same thing.
Almost, but not quite.
Death, as I learned, is as easy as falling down a well. You make a little splash and that’s the end of it. Death in war is conducted under different rules. It is my task to explain why this is so and how and why I found myself so tangled up in the one which just ended.
Yes, I am the notorious Herr Death, mysterious confidant of the Führer.
Yes, I am the famous Schokoladenmann, chocolate maker to the Wagners.
Yes, I am Kurtis De’ath, a young man from the Maritimes, and your unreliable, opinionated narrator, leading you through the labyrinth of what Lord Beaverbrook now refers to as World War Two..."
With an ending at a reasonable "to be continued" point, but strongly wishing for more despite its 700+ page bulk, The Reflecting Man vaulted to my top 10 books of the year and the announced sequel - sadly seems to be 2015 only - became a huge asap. Highly, highly recommended!”
“Kurtis De’ath, the narrator of Boyd’s sprawling debut historical novel, is a “reflecting man” figure in the sense that through his remarkable and convoluted life he finds himself encountering virtually all of the notable figures of the first half of the 20th century.
De’ath is an eloquent and outspoken narrator (and fond enough of his own exploits, a la George MacDonald Fraser’s Flashman), relating his adventures as a secret advisor to Adolf Hitler, a globe-trotting newspaper reporter (who breaks the news that England’s King Edward VIII is so deeply enamored of American divorcee Wallis Simpson that he might abdicate in order to marry her), and a somewhat reluctant MI5 agent for the British government.
De’ath is the reader’s narrative proxy as he watches the key events unfold in Hitler’s rise to power, and Boyd’s skill at weaving exposition into his narrative is so great that the large and complicated plot moves forward very smoothly. Watching 20th century history unfold through the unmistakable viewpoint of Kurtis De’ath would be a treat for any lover of well-done historical fiction. Promised sequels are eagerly anticipated.” - Historical Novel Society.
The second volume in D.K.R. Boyd’s sprawling “Reflecting Man” series follows the adventures of Boyd’s irrepressible main character and narrator, Kurtis De’ath, as he returns to England at the beginning of 1936 after an interval spent consorting with Adolf Hitler and the elite of Nazi leadership in Germany. In England, he becomes a gossip columnist for the Daily Express, which provides the perfect venue for his natural talents as a storyteller and gossip-monger.
“When I hear a ripping tale I do like to pass it along,” he says at one point, and the bulk of Reflecting Man consists of one ripping tale after another, including quite a few about the Royal Family in the years immediately prior to the outbreak of the Second World War. All the famous names are here, from Queen Mary to King George V to T.S. Eliot to Ernest Hemingway to the infamous Duke and Duchess of Windsor and their suspiciously close ties to Nazi Germany.
De’ath addresses his “dear Reader” directly and tells all these stories with chatty gusto (the whole while yearning for his native Canadian Maritimes, with its more civilized habits and superior food) that more than compensates for the book’s spattering of typos and somewhat nebulous actual plot. This is infectiously readable stuff. - Historical Novel Society
Dense and yet compelling, Boyd's prose and detail make for a read that is witty and paced just right as it weaves through modern history in a way that I have not seen since Dorothy Dunnett conquered the events of the late Middle Ages.” Amazon 4 Stars
Style is very different from the late and lamented Dorothy Dunnett, but the feel of being taken for an ultimate ride through events that fascinate and prove gripping even when known are the same.” Amazon
“The Reflecting Man vaulted to my Top Ten books of the year and the announced sequel[s] became a huge ASAP. Highly, highly recommended. Goodreads 5 Stars
“Boyd paints a convincing picture of Nazi depravity with his detailed descriptions of Germany under the Third Reich [with] a fascinating protagonist.” Publishers Weekly
“I’m enjoying it! A long book, but keeps you going through entertaining, believable and endearing personalities. I recommend it for a bedtime read.” Amazon