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- Wiley
More About This Title Andrea Mantegna - Making Art (History)
English
- Features an array of new methodologies for the study of Mantegna and early Renaissance art
- Critically addresses the question of iconography and “literary” art, as well as the politics of the monographic exhibition
- Includes translations of two seminal accounts of the artist by Roberto Longhi and Daniel Arasse, key texts not previously available in English
- Explores the Mantegna’s potentially transformative impact on the study of the early Renaissance
English
Stephen J. Campbell is Professor of History of Art at Johns Hopkins University. His most recent book is Art in Italy 1400-1600, co-authored with Michael Cole (2011).
Jérémie Koering is a Research Associate at the CNRS and Deputy Director of the Centre André Chastel. His books include Léonard de Vinci (2007) and Le prince en représentation (2013).English
Notes on Contributors 6
Chapter 1 In Search of Mantegna’s Poetics: An Introduction 8
Stephen J. Campbell and Jérémie Koering
Chapter 2 Andrea Mantegna: Painting’s Mediality 22
Klaus Krüger
Chapter 3 Signing Mantegna 54
Daniel Arasse
Chapter 4 Mantegna the Grammarian 76
Guillaume Cassegrain
Chapter 5 Changing Forms: Mantegna’s Poietics in the Camera Picta 94
Jérémie Koering
Chapter 6 Mantegna’s Camera Picta: Visuality and Pathos 114
Stephen J. Campbell
Chapter 7 The Griffin’s Gaze and the Mask of Medusa: Self-Referential Motifs in Andrea Mantegna’s Trial of St James 134
Andreas Hauser
Chapter 8 Artifice and Stability in Late Mantegna 152
Andrea Bolland
Chapter 9 Mantegna’s Fictive Bronze Judith and Dido: Beyond Exemplarity 176
Francis Fletcher
Chapter 10 A ‘Pictorial Letter’ to Giuseppe Fiocco 200
Roberto Longhi
Index 225
