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More About This Title Meggs' History of Graphic Design, Fifth Edition Wiley E-Text Card and Interactive Resource Center Access Card
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English
Meggs' History of Graphic Design, Fifth Edition, now offers a Wiley E-Text: Powered by VitalSource with Interactive Resource Center registration card. Wiley E-Texts are built in partnership with Vital Source Technologies with many Features and Benefits:
- Search to locate key concepts
- Highlight as you read
- Make notes for revision
- Notes and Highlights will synchronize across all devices
- Share notes with others
The Interactive Resource Center is an online learning environment where instructors and students can access the tools they need to make efficient use of their time, while reinforcing and assessing their understanding of key concepts for successful understanding of the course. An access card with redemption code for the online Interactive Resource Center is included with all new, print copies or can be purchased separately. (***If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code - ISBN: 9781118922248).
The online Interactive Resource Center contains resources tied to the book, such as:
Interactive Resources:
- Flashcards featuring images from book for image identification self-study
- Self-test assessment by chapter
- Image Gallery featuring key designers and their work
Downloadable Resources:
- Indices of key terms and people
***Winner of the First-Ever QED (Quality, Excellence, Design) award by Digital Book World**
With more than 1,400 high-quality images throughout—many new or newly updated—Meggs' History of Graphic Design, Fifth Edition provides a wealth of visual markers for inspiration and emulation. For professionals, students, and everyone who works with or loves the world of graphic design, this landmark text will quickly become an invaluable guide that they will turn to again and again.
- English
English
Philip Meggs is professor at Virginia Commonwealth University, contributing editor of Print magazine, and visiting graduate faculty at Syracuse University. He is the author of Type & Image and A History of Graphic Design, and coauthor of Typographic Design: Form and Communication. His design work has been exhibited widely, including Print Regional Annual, CA Annual, Graphis Posters, Photographis, and The New York Art Director's Club. Rob Carter teaches typography and graphic design at Virginia Commonwealth University.
- English
English
Preface VI
Preface to the First Edition VIII
Acknowledgments X
Part I The Prologue to Graphic Design
The visual message from prehistory through the medieval era
01 The Invention of Writing 6
02 Alphabets 22
03 The Asian Contribution 34
04 Illuminated Manuscripts 46
Part II A Graphic Renaissance
The origins of European typography and design for printing
05 Printing Comes to Europe 68
06 The German Illustrated Book 80
07 Renaissance Graphic Design 98
08 An Epoch of Typographic Genius 122
Part III The Bridge to the Twentieth Century
The Industrial Revolution: The impact of industrial technology upon visual communications
09 Graphic Design and the Industrial Revolution 144
10 The Arts and Crafts Movement and Its Heritage 176
11 Art Nouveau 196
12 The Genesis of Twentieth-Century Design 232
Part IV The Modernist Era
Graphic design in the first half of the twentieth century
13 The Influence of Modern Art 256
14 Pictorial Modernism 276
15 A New Language of Form 298
16 The Bauhaus and the New Typography 326
17 350 The Modern Movement in America 350
Part V The Age of Information
Graphic design in the global village
18 The International Typographic Style 372
19 The New York School 390
20 Corporate Identity and Visual Systems 412
21 The Conceptual Image 436
22 Postmodern Design 460
23 National Visions within a Global Dialogue 482
24 The Digital Revolution—and Beyond 530
Epilogue 572
Bibliography 574
Image Credits 582
Index 586