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More About This Title Don't Forget to Write for the Secondary Grades: 50 Enthralling and Effective Writing Lessons (Ages 11 and up)
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This book offers 50 creative writing lesson plans from the imaginative and highly acclaimed 826 National writing labs. Created as a resource to reach all students (even those most resistant to creative writing), the off-beat and attention-grabbing lessons include such gems as "Literary Facebooks," where students create a mock Facebook profile based on their favorite literary character, as well as highly practical lessons like the "College Application Essay Boot Camp." These writing lessons are written by experts—and favorite novelists, actors, and other entertainers pitched in too.
- Road-tested lessons from a stellar national writing lab
- Inventive and unique lessons that will appeal to even the most difficult-to-reach students
- Includes a chart linking lessons to the Common Core State Standards
826 National is an organization committed to supporting teachers, publishing student work, and offering services for English language learners.
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ACKNOWLEDGMENTS XVII
THE AUTHORS XIX
THE CONTRIBUTORS XXIII
LESSON PLANS
1 DETAILS (GOLDEN), CHARACTER (IMMORTAL), AND SETTING (RURAL INDIA) 1
by Dave Eggers
In this three-part lesson, students learn to draw details from real life to create unforgettable characters and compelling stories.
2 LITERARY FACEBOOKS 7
byKathryn Riddle
Curious what Elizabeth Bennet’s, Harry Potter’s, Bella Swan’s, or Percy Jackson’s Facebook profile would look like? In this workshop, students create a mock Facebook profi le based on their favorite literary character.
3 SUBURBAN EPICS 10
byTom Perrotta
The author of Little Children and Election shares his tips for finding inspiration in your own neighborhood.
4 BUSTED 12
byWilliam JOHN Bert
Writing about the time you didn’t get away with it.
5 HOW TO WRITE SCIENCE FICTION 15
byCory Doctorow
The Nebula Award–nominated author shares his tips for crafting fascinating science fiction.
6 WRITING FROM EXPERIENCE 18
byStephen Elliott
Students learn to transform their own life events into compelling fiction from an author who’s mastered the art.
7 TOO MUCH MONEY! AN ETHICAL WRITING EXPERIENCE IN 10 EASY STEPS 20
byLouAnne Johnson
This lesson introduces students to the benefi ts of journaling, using an ethical conundrum to keep them invested and involved.
8 THE TALK SHOW CIRCUIT 23
byEllie Kemper
The Office actor shows how to use the talk show format to practice the elements of good storytelling.
9 THE FIRST DRAF T IS MY ENEMY: REVISIONS 26
bySarah Vowell
You spend hours grading papers. You give great feedback. You offer tons of suggestions to improve the piece—and then you never see it again. A favorite essayist shows you how to put all that work to good use.
10 SEE YOU AGAIN YESTERDAY: PLAYING WITH T IME 29
byAudrey Niffenegger
The author of The Time Traveler’s Wife shares her tips for working with tricky time lines.
11 LOOK SMART FAST: COLLEGE APPLICATION ESSAY BOOT CAMP 35
byRisa Nye
A college admissions reader outlines the dos and don’ts of great application essays.
12 WRITING ABOUT PAINFUL THINGS 39
byPhoebe Gloeckner
The author of Diary of a Teenage Girl: An Account in Words and Pictures walks students through the diffi cult but redemptive process of writing about pain.
13 MUTANT SHAKESPEARE 42
byKyle Booten
Reading Shakespeare is hard. Lucky for us, we won’t be reading Shakespeare. We will take him apart and put him back together the wrong way. We will lose some of his pieces. This class assumes that one good way to understand something is to see how it could be different.
14 HOW TO WRITE A ONE-PERSON SHOW ABOUT A HISTORICAL FIGURE 45
by Kristen Schaal
The Daily Show correspondent and actor shows us how to research and write a great play about a real person.
15 WRITING FOR GAMERS 47
byTom Bissell
The author of Extra Lives: Why Video Games Matter leads a lesson on narrativity and video games.
16 HUMOR WRITING: AN EXERCISE IN ALCHEMY 49
byDan Kennedy
This is the lesson plan to engage the bored, disinterested students rolling their eyes in the back row. A humor author shares writing prompts that are pretty much guaranteed to provoke great material.
17 ON PINING: WRITE A VERSE TO MAKE THEM STAY 54
byThao Nguyen
An indie musician leads a workshop on writing the words that make those you miss come back.
18 ADDING INSULT TO POETRY 56
byNicholas Decoulos
Anyone can say, “Same to you, buddy!” In this class students learn why it’s not wise to cross a poet.
19 BAD WRITING 58
byNeal Pollack
This inventive lesson by a noted writer and satirist shows you how to do it right by trying to do it wrong.
20 WHERE STORIES COME FROM 61
byJulie Orringer
The thought of writing a short story from scratch can be so daunting. An author shares her secret: don’t start from scratch. Find inspiration in art, news, and real-life events.
21 WORD KARAOKE 63
byMatthue Roth
In this highly engaging lesson, a slam poet and author invites students to do “cover” versions of other writers’ work—like hip-hop sampling—to create fresh new poems.
22 TALL TALES AND SHORT STORIES 66
bySteve Almond
The assignment to write fi ction can feel like an overwhelming mandate. This exercise turns that mandate into play. Students are asked to tell the best lie they can. Suddenly, it’s a short story.
23 WELCOME TO THE FUNHOUSE: WRITING FUNNY SCENES 68
byMark O’Donnell
The Tony-winning author of Hairspray shares 12 weeks of funny scenewriting ideas.
24 VOICEMAILS FROM MY FUTURE SELF 74
byMark Sipowicz
In this workshop students creatively expand and explore their sense of who they are by thinking about their futures. The workshop culminates with an audio-recorded “voicemail” from each student’s future self.
25 HOW SHORT IS SHORT? 77
byVendela Vida
This is storytelling distilled down to its purest essence. An author shows students how to write a story in 20 minutes or less.
26 COMIC COMPOSITION CHALLENGE! 79
bySteven Weissman and Jordan Crane
Two professional cartoonists challenge students in a fast-paced, highly entertaining comic-strip-writing game.
27 MY BORING LIFE 82
byMicah Pilkington
Everyone thinks his or her life is boring. Th is class proves that it’s actually full of great stories.
28 COLONEL MUSTARD IN THE LIBRARY WITH A CANDLESTICK: HOW TO WRITE A MYSTERY 84
byJulianne Balmain
Mystery writing solved! A mystery author shares her secrets.
29 CREATING CHARACTERS 88
byJonathan Ames
A novelist shares his techniques for creating memorable, well-rounded characters and off ers exercises to help students hone their skills.
30 HIGH SCHOOL CONFIDENTIAL: HOW TO WRITE A YOUNGADULT NOVEL 90
byMatthue Roth
A young-adult author helps students write modern comedies of manners.
31 GET YOUR HAIKU ON 93
byDaphne Gottlieb
This very modern take on the ancient classic invites students to borrow from hip-hop and pop culture to create one-of-a-kind haiku.
32 THE ESSAY 95
byMeghan Daum
Essays don’t have to be boring. They can be as exciting as fiction, as moving as poetry. Here, an acclaimed essayist shares her essay-writing tips.
33 THE STORY OF ME: WRITING ABOUT YOUR LIFE AND YOUR FAMILY 99
byJason Roberts
You don’t have to be old or famous to write your life story. Th is class invites you to trace how your family and experiences have shaped who you are today.
34 MEET YOUR PROTAGONIST! 101
byRyan Harty
An author teaches students to create well-rounded characters that readers really care about.
35 ALL WITNESSES EVENTUALLY DIE: EMBARRASSING STORIES 104
byErika Lopez
In comic panel form, an author and graphic novelist shares her tips for turning your mortifying experiences into good reading.
36 WICKED STYLE AND HOW TO GET IT 106
byMicah Pilkington
Students always tell us they want to develop a unique voice, a literary style all their own. This class helps them find it.
37 PRESIDENT TAKES MARTIAN BRIDE: WRITING TABLOID FICTION 108
byAlvin Orloff
Tabloids might not be high literature, but they’re awfully fun to read—and even more fun to write. In this off beat lesson, an author encourages wild storytelling and out-there stories that, we promise, will be really, really fun to grade.
38 LYING FOR FUN AND PROFIT 111
byEmily Katz
Good lies are a lot like good literature. This class helps students turn falsehoods into fiction.
39 THIS CLASS SUCKS 114
byKazz Regelman and Andrew Strickman
Students learn the basics of criticism by reviewing everything from CDs to cookies.
40 SCREENWRITING 117
byNoah Hawley
A professional screenwriter shares his secrets, and invites the class to go Hollywood by practicing their story-pitching skills.
41 HOW TO WRITE A GHOST STORY 120
byLisa Brown and Adele Griffin
Two professional ghost story writers share their scariest tips.
42 826 UNPLUGGED: SONGWRITING 125
byChris Perdue
The whole class collaborates to pen a guaranteed hit. No musical experience necessary.
43 SPORTSWRITING: THE LIFE 127
bySam Silverstein and Jason Turbow
Two professional sportswriters share their expertise.
44 HOW TO WRITE A FAN LETTER WITHOUT GETTING A RESTRAINING ORDER 129
byLisa Lutz
A young-adult author and self-confessed superfan shares her letterwriting tips.
45 EXQUISITE STORY LINES 133
byJeremy Wilson and Kait Steele
This lesson adapts the Exquisite Corpse poetry technique for short fiction.
46 SOUL PROWLERS: THE ART OF WRITING NEWSPAPER PROFILES 135
byRona Marech
Ordinary-seeming people can have extraordinary, heroic stories—it just takes curiosity and the will to excavate them. In this class, students learn how to identify good subjects, conduct interviews, fi nd inspiration in the details of a life, and write compelling stories about both regular and famous people.
47 HOMESTYLE: WRITING ABOUT THE PLACE WHERE YOU LIVE 138
byTom Molanphy
This lesson teaches students to see home in a fresh way, to walk through doors and open windows they never noticed, and to fi nd the stories that home holds.
48 AGITATE! PROPAGANDIZE! 141
byJulius Diaz Panoriñgan
Sometimes a clear, convincing argument isn’t enough. You need to stir things up just a bit so that people pay attention and you can get your message across, whatever that is. In this workshop, students craft propaganda—speeches, pamphlets, and posters—all of it hard-hitting.
49 TASTY MEDICINE FOR WRITER’S BLOCK: MINDFUL WRITING EXERCISES 144
byBrad Wolfe and Rebecca Stern
From the editors of Essays for a New Generation, an anthology of essays for young readers, come these techniques for writing mindfully.
50 HIGH SCHOOL INK: GETTING PUBLISHED 147
byLara Zielin
An author of young - adult fiction shares her tips on getting your work out there.
APPENDIX
EVALUATION RUBRICS 154
SELF-ASSESSMENT CHECKLISTS 156
COMMON CORE CURRICULUM STANDARDS 160
826 CENTERS AND STAFF 209