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- Wiley
More About This Title Nature of Heritage
- English
English
- Provides a classic example of how nations attempt to overcome a negative heritage through past mastering of their histories
- Evaluates the continuing dominance of nature and conservation over concerns for cultural heritage
- Employs ethnographic and archaeological methodologies to reveal how the past is processed into a new national heritage
- Identifies heritage as therapy, exemplified in the strategy for repairing legacies of racial and ethnic difference in post-apartheid South Africa
- Highlights the role of archaeological heritage sites, national parks and protected areas in economic development and social empowerment
- Explores how nature trumps culture and the global implications of the new configurations of heritage
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English
- English
English
Abbreviations xiii
Introduction: Past Mastering in the New South Africa 1
1 Naturalizing Cultural Heritage 13
2 Making Heritage Pay in the Rainbow Nation 37
3 It's Mine, It's Yours: Excavating Park Histories 63
4 Why Biodiversity Trumps Culture 98
5 Archaeologies of Failure 125
6 Thulamela: The Donors, the Archaeologist, his Gold, and the Flood 149
7 Kruger is a Gold Rock: Parastatal and Private Visions of the Good 176
Conclusions: Future Perfect 203
References 217
Index 248
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“Lynn Meskell’s book is carefully researched and engagingly written, and is essential reading for anyone interested in archaeology and heritage in South Africa.” (South African Archaeological Bulletin, 1 October 2013)
“With a rhetoric of diversity, sustainability, and conservation, neoliberal forces typecast entire societies as both money-spinning tourist fodder and evil destroyers of pristine nature. Meskell incisively exposes the resulting structural violence of conservation in South Africa, showing how managerial simplification of the country’s painful historical experience and complex archaeological record perpetuates past oppressions and exclusions. The Nature of Heritage gives timely shape and heft to concern for the future of the past – and the future of humanity.”- Michael Herzfeld, Harvard University
“In one sense this is a book about the loss of innocence – of how the dream of cultural heritage in a new South Africa has been swamped by narrower interests and the tourism market. But it also a reassertion of the value and significance of archaeological ethnography, of showing how ‘past-mastering’ is invariably the outcome of compromises, and imbued with politics.”
- Martin Hall, University of Salford